Differences Between Romantic Poetry And Neoclassical Poetry

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History repeats itself. Features of past literature become parts of the present. Writers proudly use these traits in their writings. Romantic and Neoclassical poets do the same things. Romantic poets take some characteristics from English Renaissance Poetry. They publish The Lyrical Ballad and its preface, which starts the period of Romantic Poetry. On the other hand, Neoclassical poets follow the styles of Classical Poetry.

Neoclassical poets staunchly follow Greco-Roman’s rules, styles, and structures in their works and stand against the Renaissance Styles of Poetry. Neoclassical Poetry is quite different from both Renaissance and Romantic Poetry. It strictly adapts classical notions and traits. 

● The first trait of Neoclassical Poetry is Rationalism, which maintains reason and intellect in poetry.

● The second trait is Realism, which is against Imagination. There is no place for lyricism, fantasy, feeling, and emotion in Neoclassical Poetry. Without these elements, Neoclassical Poetry seems fabricated and stereotypical.

● The third trait is Scholarly Allusions, which take away the poetry from the understandability of the common masses. Neoclassical Poetry is full of religious, historical, philosophical, and Greco-Roman allusions. 

● The fourth trait is Didacticism, which supports philosophy and morality to emphasize instructional and informative qualities in poetry. 

● The fifth trait is Heroic Couplets. It is a traditional form consisting of a rhyming pair of lines in Iambic pentameter.

● The sixth trait is Poetic Diction. It is for a high-ranking vocabulary in poetry. 

● The seventh trait is the preference for Objectivity over subjectivity. It is because Neoclassical poets never shape their poetry along with their judgments and sentiments.

Romantic poetry is free from the traditional rules and mechanical structure. It encourages freedom by which poets freely express their dreams, thoughts, imagination, and passion. Poets are not bound to write just about a specific group of people, their lifestyle, and nature. They are free to paint the natural world and their imaginary world through their colors of feeling and emotion such as pain, happiness, sadness, lament, restlessness, and peace. Romantic Poetry is a source of wandering into the imaginary world of the poet in which readers stay with all the same senses and sensations. 

Romantic Poetry, found in the common language, does not mean that it is only for selected lower-class faculties like peasants and shepherds. It is for those who always feel nature around themselves, who can see gold in the sunlight, silver in the moonlight, pearls in dews, and new life in the spring views. These people may belong to any walk of life, but they enjoy Romantic Poetry. While reading it, they breathe romantic verses with their breath, listen with their heartbeats, and drink through their souls and spirits. 

William Wordsworth and S.T. Coleridge did a well-organized experiment by presenting the Lyrical Ballad. Their purpose is to estimate the reactions to a new style of poetry. The Lyrical Ballad consists of romantic poems. It is also the movement to support those who want to express their feeling, emotion, and thought through poetry. In the initial stages, romantic poets have to go through criticisms, but finally, their revolutionary change in poetry is accepted and welcomed.  

After Lyrical Ballad, William Wordsworth gives its preface. He neither wants to convince people to like and accept his work nor prove his genius. He wants to bring before the reasons and very purpose of his works. He believed that Neoclassical Poetry needed change, so he started poetry on nature. He says that the language in Neoclassical Poetry is not adequate to reach a large circle of people. It is insensitive and uncommon in its expression, so simple language is required here. It should be pure and expressive. William Wordsworth had confidence that his poetry had a purpose and plan. The Neoclassical poets feel proud of using their language. Maybe, they do not know that they cannot meet the common masses through their poetry. 

According to William Wordsworth, a poet is fundamentally a man speaking to a man. He is different but has a common nature. Wordsworth is a man of immense receptivity, observation, reflection, and imagination. He has the power of communication. He can understand reality and facts to which others remain blind. He can see into the heart of things. He can communicate his understanding of the soul of things to his readers. Wordsworth follows a poetic process through which poetic composition takes place. The first is observation, the second is recollection, the third is contemplation, and the fourth is imaginative excitements of the emotion. It is the process of creation. It grants him a joy that he wants to communicate to his readers.

William Wordsworth suggests that before writing good poetry, a poet should develop deep feelings and understand them through his deep thought process. Further, he says just feelings and emotions are not enough to produce a masterpiece. A great notion is also required. Both are significant parts of his works, but the feeling is noticeable. He puts feelings into actions and situations.

Wordsworth chooses the diverse aspects of humble and rustic life for several reasons. In a Humble life, feelings are freely and frankly expressed.

● In rustic life, feelings are simple, and so are expressed accurately and forcefully,

● The manners of this life are not sophisticated. They are simple and so more conducive to an understanding of human nature, and

● In this life, human passions are with the grand and noble objects of nature, and so they are more noble and permanent. 

According to him, poetry is not very different from prose. But why does he choose poetry to express his feelings? Does he not have the option of prose? He answers that poetry has rhymes and meters with controlling power to increase or decrease feelings and emotions. He always wants his readers to judge poetry with deep sense. The judgment made early often produces a rough result. Criticism ought to come but along with a composed attitude.

Romantic and Neoclassical poems are different from each other. They have different characteristics, perspectives, structures, and objectives, but both affect lives, values, and literature.

This article is written by Shajar Ali, one of the contributors at the School of Literature.

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