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Influence of Greek literature on Elizabethan Dramas

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Drama, derived from the Greek word meaning “action”, is an important genre in literature used to entertain people by real-like performances on a stage known as theatre. It was part of Roman, Greek, and Indian civilization but later spread to other parts of the world. 

Elizabethan Age, 16th and 17th century, was the most splendid year for the rise of western drama. Elizabeth was a powerful monarch and a supporter of art, which motivated people to indulge in the activities related to theatre. During her reign, some playwrights made their earnings through theatre. In the beginning, actors used to perform in open theaters situated in inns and courtyards. Later, many public theaters were built. Theater becomes a popular entertainment source, and people of all walks of life used to attend it. Although women were not allowed on stage but were part of the audience.

Following are the representative playwrights of the Elizabethan era:

- William Shakespeare

- Christopher Marlowe

- John Webster

- John Lyly

- Ben Johnson

- Thomas Heywood

- Thomas Kyd

- Thomas Dekker

- George Chapman

Elizabethan tragedy dealt with heroic themes, centering on a great personality who is destroyed by his passion and ambition. The comedies often satirized the flaws and gallants of society. The plays were highly influenced by ancient works including Greek tragedy and Attic drama. 

Most storylines were taken from Greek mythology and Roman mythologies involving renowned playwrights like Plautus and Terence for comedy and Seneca for tragedy. The influence of Spanish tragedy can also be seen in the works of Shakespeare, Ben Jonson, and Christopher Marlowe. The plots contained murders, revenge, and violence. It can be seen in Shakespeare’s Hamlet.

Different styles and themes were also introduced in Elizabethan drama The writing style, most of the plays were written in Blank verse, unrhymed iambic pentameter. The disguise was one of the devices that were used frequently by characters in Elizabethan plays. They made them more interesting by adding violence, humor, asides, wordplays, rhymed couplets, and soliloquies. 

Different interludes were introduced in royal banquets. Miracle plays also known as “mysteries”, were performed on special occasions and depicted biblical history. They were performed in pageant wagons and people would gather around to watch them. The structure of miracle plays had an important influence on English history plays.  Morality plays containing religious themes first appeared in the fourteenth century but then were increasingly secularized in the 16th century.

William Shakespeare (1564–1616) stands out in this period both as a poet and playwright. His plays included a variety of genres i.e. tragedy, comedy, tragicomedy, history, and late romances. His early classical and Italianate comedies, like A Comedy of Errors, containing tight double plots and precise comic sequences, give way in the mid-1590s to the romantic atmosphere of his greatest comedies.

In Elizabethan Age, the present time was reflected in the dramas. The writers would write what they observed around them. For instance hatred for Jews, the community is reflected in anti-Semitic plays, The Jew of Malta and The Merchant of Venice written by Christopher Marlowe and William Shakespeare respectively. In the former, the Jew was a cruel, egotistic, and greedy man and in the latter, the merchant was also a greedy and vindictive person.

As ethnics and religious beliefs are an important part of society so they are an important part of society’s entertainment so these plays were used to teach moral lessons to people. Sometimes through action and sometimes they would convey it directly to the audience. An excellent example of this direct address occurs in A Woman Killed with Kindness by Thomas Heywood with a lesson, women stay faithful to their husbands!

In most Elizabethan plays, violent acts were only reported on the stage between the characters. This way, the audience would learn about the action that could not be performed. For instance, if there was part from a battle or some ceremony, they were not able to hire and manage hundreds of people on the stage. Also, some acts of violence could not be performed so it was preferred to only mention them.

The audience was seated in a semi-circular or circular design theatre. Similarly, the Greek theatres known as ‘Theatron’ were built into a hill to create natural viewing space and open-air structure. Just like Elizabethans, Greek people allowed only men to act. Tragic heroes in both theatres experience their downfall after the climax and then the drama’s resolution takes place. Shakespeare’s Hamlet and Orestes, both involve the murder of a king by a relative. Also, there is a unity of theme in Othello and King Lear.

The Puritans were zealous Protestants and they condemned such kinds of entertainment and considered them ungodly institutions. Throughout the era, they tried to close theatres and continuously campaigned against the playhouses as they feared that it threatened England’s morality. They eventually succeeded in closing all the public theaters in 1642.

This article is written by Hafsah Afridi, one of the contributors at the School of Literature.

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