Themes in A Doll's House by Henrik Ibsen with Critical Analysis

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Analyzed by Itrat Batool

Critical analysis of themes:

One of the most important themes is appearance versus reality. In the beginning, nothing is like what it seems. Torvald and Nora appear to have a perfect relationship but with time as the play progresses, reality replaces appearances. Everyone wants to keep up appearances. Torvald insists Nora keep up the appearance of their relationship even after rejecting Nora for her past crime. Dr. Rank pretends to have an innocent relationship but when Nora tries to seek his help, his appearance shatters down.

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Another important theme of this play is male domination. This play raises questions about female self-sacrifice in a male-dominated world. Nora is just a doll of little intellectual value and even less utility in Torvald's life. Typically a family responsibility is reserved for the male member thus when Torvald comes to know that Nora being a woman has managed financial affairs, he acts so shockingly.

Ibsen subjects his writing for the elaboration of marriage time and again. According to him, a truthful marital relationship is one which survives in every situation and none of the two should be demeaning to the other.

Lastly, Ibsen declared that the greatest duty of a person is to understand him\herself. 

Initially, Nora does not realize that she has a self. Her sole purpose was to please Torvald but in the end, she realizes that the most sacred duty is to herself. She leaves everything to establish her own identity.

Analysis from Feministic Prospective:

The protagonist of A Doll's House; Nora, is the most credible character. Her story is a protest against that false view of a woman which turns marriage into an agreement between a beautiful slave and a kind owner. Nora copies her father's signature to obtain money for her ill husband. The disclosure of her guilt brings her to face the harsh realities of life. In this play, the society that looks upon a woman as a mere "doll" has been described.

Nora puts on a persuasive performance of being a selfish and foolish woman during act one; When she asks Torvald for more money, she appears to be selfish but we soon discover in her conversation with Mrs. Linde that she is not wasting money for herself, but using it to pay back the loan she took to save her husband's life. In the first two acts, she does not realize her strength maybe, because Torvald and the contemporary society would never accept such strength in a woman.

In this play, Ibsen is illustrating a fundamental problem in society. The marriage that Ibsen portrays is domineering to one partner. Nora is not an object still she felt like one her whole life. Ibsen does not release Nora from the duties of motherhood. Rather, he shows that for Nora to become a successful mother, she must first establish her own identity.

To conclude, this play is a demand for justice; primarily justice for women and indirectly, justice to humanity.

 

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