An English Writer Jane Austen, who was considered as a commanding literary figure of the eighteenth century. She is considered as the first who gave the novel its distinctly modern character of everyday life. She vividly depicted English society during the early 19th century. 'Pride and Prejudice' can be seen as an example of class depiction. Her novels are regarded as the "era’s novel of manners". She got fame following her death. The target of my work is class line demarcation in Pride and Prejudice, which is strictly drawn by Jane Austen.
There are three types of classes in
Pride and Prejudice, the lower class, middle class, and upper class. The lower
class/ working class includes servants, factory workers, and shop workers who
have no place in this novel. Middle class includes educated professionals
(doctors, lawyers, and engineers), Mr. Bingley is a good example of this social
rank. The upper class includes statesmen and rich people. Darcy and Mr. Bennet
are the perfect examples of the upper class.
Jane Austen wants to vividly demarcate the social class lines and
expected her readers to be sensitive about it, but she remorselessly satirized
characters who were obsessed with fine social distinctions. There is
certainly no association in her novels between high rank and any great virtue
or ability. Aristocrats are at best buffoons, at worst paragons of arrogance. The
most famous case is probably Lady Catherine de Bourgh in Pride and Prejudice, a
woman with whom no one before Elizabeth Bennet has ever disagreed.
In Pride and Prejudice class distinction is a major theme in the
novel, related to reputation, in that both reflect the strictly regimented
nature of life for the middle and upper classes in Regency England. A minute
study of the novel shows that the Bennet family, who belongs to the middle
class, try to socialize with the upper-class Bingleys and Darcys, they are their
social inferiors and are treated as such. Austen ironically satirizes this kind
of class-consciousness, and differentiation especially in the character of Mr.
Collins, who spends most of his time toadying to his upper-class patron, Lady
Catherine.
The Writer shows the power of love and happiness to overcome class
boundaries and prejudices, thereby implying that such prejudices are hollow,
unfeeling, and unproductive. His conception of the importance of class is
shared, among others, by Mr. Darcy, who believes in the dignity of his lineage;
Miss Bingley, who dislikes anyone not as socially accepted as she is; and
Wickham, who will do anything he can to get enough money to raise himself into
a higher station. Though Mr. Collins offers an extreme example, he is not the
only one to hold such views. The satire directed at Mr. Collins is therefore
also more subtly directed at the entire social hierarchy and the conception of
all those within it at its correctness, in complete disregard of other, more
worthy virtues. Through the Darcy-Elizabeth and Bingley-Jane marriages, Of
course, this whole discussion of the class must be made with the understanding
that Austen herself is often criticized as being a classist: she doesn’t
represent anyone from the lower classes; those servants she does portray are
generally happy with their lot.
Austen does criticize class structure but only a limited slice of
that structure. Finally, Austen employs the character of Mr. Wickham in
demonstrating the ruthlessness present in many to elevate themselves in the
class system. A military officer from a poor family, Mr. Wickham appears
to Elizabeth as a charming gentleman. He spins a web of lies about his
past, all in the hopes of obtaining a marriage with one of the Bennet daughters
so that he can accrue some wealth as a dowry. However, his history proves
to be far more disturbing than the Bennets could have imagined. Hungry
for wealth, Mr. Wickham attempted to elope with Mr. Darcy’s younger sister
Georgiana. “Mr. Wickham’s chief object was unquestionable my sister’s fortune,
which is thirty thousand pounds,” His scheme was foiled when Mr. Darcy learned
of it, and he disappeared.
Conclusion
Class issues are everywhere in Pride
and Prejudice. ... In the end, the novel's verdict on class
differences are moderate. Austen seems to accept the existence of class hierarchy,
but she also criticizes the way it can poison society.
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